Sociopathetic Semaphores

(towards modern lovers)

2012-01-17T22:11:00.004Z

“we have been administered a kind of political sedative –
we get marriage and the military and then we go home and cook dinner, forever.”

.
.
.
.
.______________in nerve’s fluoresce in
.______________drive forefronts embodiment vocal
.______________& eyeing !negation!
._____________________________‘gainst sublimates of systemic harm
._____________________________/ sucking common for its fixity / borders
.______________us impossible
._____________________ ___ever ejecting ‘the new apolitical correlate’;
.____________________ ____to externalise incoherence as mobile pyres for
.__________________ ______rational we
._________________________________sinthomatic declare redundant; or our
._________________________________breath held in exhale unattainable
._____________________ routemast fumes to wash up, perception
._____________________ to seek / call out liberal in specific:
._______ topographic element nauseating by glass, flyposting
._______ ‘social conservatism’: “[echoes] the problems of
._______________ modernity” “frantic nostalgia for [faux lapsed] comforts”–
._______________________________________________ where, obliged,
._______________________________________________ we figure love respectively
._____________________ __ erotics singing themselves away
.____________________ ___ from brush strokes prior to direct action ,

._______ to clasp palms to roast nectar / collar held, might
._______ induce the restful before dereliction
.___________________________________ carving ‘tecture f’ light more
.___________________________________ expose the separatist corp ‘gay-friendly’
.___________________________________ vainly failed to erase, act ii
._________________________ ______ .________________________perquisites
._____________________an arrow in the side of equality
._____________________asks to start by
._________________________ _______ exposing our
._____________________physical indeterminancy
.________________________________________outside 14th floor tower bldg se1 7nx;
.________________________________________22 old queen st sw1h 9hp
._____________________& reconsider our potentials, our circulation

~~26/07/11~~
10/01/12

DEPT #5

2011-12-26T22:27:00.002Z

Department #5 is out now (A4. 44 pages. £2.50. Eight Poets); it includes part I of my untitled 'polemic for loudhailer' (newspaper banality, police tactics, Whitman in hackney, from liberty plaza to november 30th, "had eyes dazzled the shimmering track of tear gas"). there's a snippet in the below post. some of part II appearing shortly elsewhere.

from a work in progress

2011-09-24T20:57:00.003+01:00

________________________morning: fictitious modernity in london, the papers
________________________daily a series of violences to individual thinking only
________________________of arranged selves / a false tone-sociality
________________________to be conquered by columba livia
________________________late phase reification of the physical , for sport
________________________see liberty plaza post-economic or hackney our
________________________independent state , music rectified in the possible
________________________to clutch & sustain whilst
__________________________________________ andrew lansley hung
__________________________________________ no longer preventative.

____________________ in london / saturated symbolic our
______cutthroat affect dispels meaningless ideals
______of daybreak , echoes the specificity
______your handsomer motion we half mask to allure it
______resisting our supposed violations mayor bloomberg
______bestows, his bullhorn disrupts to aggravate /
____________________to deveil him to the 99 percent
______to the gloss’d violence of manhatten ahistorical
____________________how we adore in & by it,
____________________unknown unknowns
___________________________________to amorphic architecturals
___________________________________economic fault lines spewing //
____________________debt ceiling charred former
____________________fortunes littering sidewalk alike the
____________________handcuffs to lush unwashed revolutionary / troy
____________________davis / the 99 percent.

________________________________________meanwhile evening
____________________the victoria line idiocy breeds through newsprint dullening
____________________eyes pairs sore each sorrow gilded spectacular, darling
_______________________________ please recycle its dustjacket sensual
_______________________________ I would like to stroke your hurricane limbs.

23/09/11

press free press @ curzon soho, 3rd Oct

2011-09-23T16:17:00.000+01:00

Openned Press launch 'the commons' - 21st Sept

2011-09-04T21:31:00.000+01:00

poem written ahead of Brighton pride / community pride

2011-08-12T11:14:00.005+01:00

____________of sky frame
_____________________ secure contractive in private def.
____________hung into its relation:
_______________________________faux total equates to fracture / loss to
_______________________________desire generalized normative
_______________________________by historical / conscious
__________________________________________________ to minimal our ;
________________now ‘fun’ mirage retails us & politic out,
____________________________ tag hung buys equality / in
________________parade’s spacing __ [supremacy partial
____________________________ as ‘allocate’ over ‘claim’

______________________________________________________I
_______________________dreamt the market couldn’t comprehend
_______________________this
____________________________________& cried sickness to noise
_______________________of each I can now love.
__________________________lips vault percept standardised, the
__________________________margin we copulate & opens emphatic
__________________________to desire’s scatter / beau resignified:
__________________________sprouts in refuge zones from paradigms,
__________________________from condition

Hi Zero #six / Better Than Language Brighton Launch

2011-08-03T11:16:00.002+01:00

after John O'Reilly at Tibor de Nagy

2011-07-13T13:06:00.000+01:00

_______________________________________from rubble
___________________________________ _____________invase to-sert focal
_______________________________________outlines brace ,
___________________________________________________bodies of wash
___________________________________________________construct autonomous
_______________________________________scissor fret toward sky, in
_______________________________________detourné / order
_______________________________________claim room to eroticise we
_______________________________________beneath the scape / ocean traverse
_______________________________________for rise emergent
__________________________ __________________________to relic
_______________________________________statuesque / fresh figured

22/06/11

Better Than Language:

2011-07-04T14:42:00.004+01:00

an announcement from Chris Goode:

BETTER THAN LANGUAGE:
An anthology of new modernist poetries
edited and introduced by Chris Goode

Better Than Language brings together the work of thirteen young poets engaging with the broadest conceivable range of late modernist modes and strategies. Sometimes difficult but always enticing, the restlessly smart poems collected here offer a wide-open invitation to adventurous readers.

The poets represented are: SARAH KELLY | JONNY LIRON | FRANCESCA LISETTE | JOE LUNA | NAT RAHA | LINUS SLUG | JOSH STANLEY | TIMOTHY THORNTON | ANNA TICEHURST | JONTY TIPLADY | MIKE WALLACE-HADRILL | TOMAS WEBER | and STEVE WILLEY

Paperback 234x156mm: 253pp
Publication date: 25 July 2011
ISBN: 978-0-9563706-1-7

Launch events:

Thursday 28th July:
Stoke Newington International Airport
London N16 7NJ
7.30pm
£5, or free entry with book purchase (£10 on the night)

Monday 8th August:
Hi Zero
Brighton
details to follow - http://hizeroreadings.tumblr.com/

for more information & pre-orders, see http://www.ganzfeldpress.com/

various news

2011-06-30T17:09:00.003+01:00

so, news

The Paper Nautilus Issue #1 is very much out now, featuring work by Alice Notley, Posie Rider & myself. Available in fine blue card, nicely sized, and a mere £3.50. My work featured includes 'Flotation, symphonette' and 'Quarter' - a longish poem written between September and April. With thanks to the editors.

Also, The Second Annual Sussex Poetry Festival happens tomorrow & Saturday (1&2nd July) in Brighton, at the Nightingale Theatre (the one by the train station). Full details of readers & activities on the official website.

The number 52 Blue Bus makes its outing on Tuesday 12th July, featuring readings from Paul Buck, Nic Scott & I. Its stop is The Lamb, 94 Lamb Conduit's Street, WC1, scheduled for 7.30pm sharp. Will be reading new work, including a chunk of mute exterior intimate.

James Wilkes is spearheading a project of medicinal plant poems, connected to the Urban Physic Garden at 100 Union Street, Southwark. Featuring something around 100 poems, it'll include a reading at the garden on the evening of Friday 22nd July, and an anthology. More details forthcoming, plus even more exciting July activity. Hooray.

2011-05-14T21:35:00.002+01:00

_________________________ _)))) concerning dissidence:

_____ our / hoarse vital bartering a
_____ means-ends exclusion
______________________ exalting it poor & tiring equus
_____ its gentleman at wagon
_____ _________ ________armed w/ weaponry outlawed victorian.
_____ _________ ________the news
________________________))))_ _ according to corp:
________________we are the face civic vulgarity, employed beyond
________________morality’s declaration, obtrusive
_________________________________________ to the selling of the state
________________already twelve months of happiness

_____________________________________we, undesirable entirely–
_______________________ presently historic to survival’s ideal:
_______________________ hellenic strike giving purpose to transport / the
_______________________ beautiful language of our time in loudhalers
_______________________ before the bonfire the
_________________________ _____________ _corpse of the state
_______________________ / vibration is newculture & my throat hurts insolent
_______________________ in all attempts to find joy it is the new revolutionary
_______________________ weapon driving the MET out of our heads the
_______________________ paralysis of neo-liberalism
________________________ ___________ ________inflation will not
_______________________ be a threat comrades: thatcherism
_______________________________________________ __ a synonym
_______________________ for erosion & failure to find work;
________________________________________each day’s new offensive

11/05/11

nine lines after A.N. & T.R.

2011-05-08T20:04:00.000+01:00

china clutch
_______ __toward clarity, weigh on lip &

curves dispersal to 2nd & third scent exo
_______________________________ relieves adenosine in
draw, desire sate, activity pressing you for speech
yet morning slow serene us & you
tip legitimate
__________ / det.|productive|:
__________________ambient to denizen
_________________________________comf in the sprawl lived
__________________cognate by, that
_____________________________._arms us as danger (gladly) we or
__________________I (or we) long the fracture; envelope by create
__________________enter fleck sand starts to build
_________________________________________ claiming presence from the daily

sonnet

2011-05-05T20:33:00.002+01:00

.

.

london letting the neck-breath / splitten

_______________________________w/ drawn light. answers

________________________greensprung, reminiscent in riches

________________________entirely ours in the cusp:

______________________________ give it to balmy, or

_____________________________________________adrenal by synapse

________________________towards public / unused for the discipline absent

_____________________________________________________________ or inaccess

____________lamp nurse in seaward

_____________________________ ambient to curve capital it’s

____________edge raising our closeness as percept

________________________________________ corneal, how no day will stilt;

____________apologies cleanse in fracture, worn

_______________________________________outward from pivot glimmer

____________to venture:

________________________relinquish sepulchral

________________________“that love may

___________________________________ live" past braver & depreciate our I’s sparsely ;

___________________________________ era particular / embracing the waking haze:

___________________________________ spin intonation from its feed, dare

___________________________________ to exhaust, to bring hours’ bliss

2011-05-05T20:14:00.001+01:00

_________ housing
_________ ______equals art smears__ E9: yards
_________ between decades minimised need you
______________________________________ glance singular the
_________ barbed fence catch 60s plastic
_____________________ ___________ to seal you from potential
_____________________ ___________ damages they thrive
_________ _______________________ local / afford the damp
_________ _______________________ cut high-density.
_________ overcast permanent
_________ this postal code cognition
_________ domesticated: graffiti
__________________________ erasure prior to even opportune
__________________________ only echo of radios or youths
__________________________ in self-parody
_____________________________________regurgitate
__________________________ / an inscript dialect
__________________________ throats empty w/ trade names
________________ _________________________________ & popular tunes
__________________________ the brickwork sublimates:
____________ these source comfs will feed flesh / photoreceptors, impacted
____________ as piecemeal topography the chief
_______________________________________constructors curate
_______________________________________the future-pejorative
____________ to recode the human-spatial
____________ the sense-impart to resident: hi-individual ‘you
____________ may discharge your wearied
____________ thoughts by skyview,’ in
_______________________________nouveau / streetlit monolith
_______________________________/ higher you needn’t
_______________________________prole out resolutions your
_______________________________television source enough
_______________________________alls will is blue / sky.

2011-03-15T20:48:00.002Z

“Something ... toward the lie ... body, placing ... conceptual fetter” was nutshell, whirls hedonistic as circular thought, focal at its tip. These were some uncoverings between utopian gasps although to claim something transferable perhaps was a little far, short crop fluctuated status leading to our realization & embarking away from presuppositions we’d held, although... no, not more provocative to those who’d borne & nurtured. You’d think sitting shoal’d be the collective erasure of all the potential bullshit that springs reactionary – that’d possibly be enacting naivety under the joyous engendering rays we enthalpicly drew into the furthering. I detract – the departure critically stepped : fertility : reconfigured to be constructive, fear was at the piano recomposing Schoenberg, dischord required to unset & to fear alternate was also stepping / outmoding. Then perception, indoctrinated in situ; volatility towards all constants (_________ _______) we slowly sheered with every potential clasp, fluidity as standardization.

2011-03-09T21:57:00.004Z

tfl emission advertisement::_____it is green
__________________________________ / cartoonlike in london, vans
__________________________ round & primary not to
__________________________ abet pave users the west-centre
__________________________ safe / freer it’s
__________________________________ opposing radius coloured haemoglobin, conjunct
__________________________ timeless &
__________________________________ wreckingball it’s devils
__________________________ still wait the bus / choke hazard like
__________________________ nauseating all automobiles, the children learn v.a.t.
__________________________ practise transit the
_________________________________________filth in our orifices
__________________________ the architecture coal-face semblance
_______________________________________________________cover your
__________________________ gasmasks sq. bench let noses evolve
__________________________ & live short just cars / cars / the markets
__________________________ cannot know us by these soot-visage all’s pleasant
__________________________ w/ emission
____________________________________mare st. against pedestrians
__________________________ left to bystand by mech-bridle this
_____________________________________________________the new representation

Veer About

2011-02-26T23:41:00.001Z

VEER ABOUT is live, and is nothing short of colossal with about 50 contributors, providing all sorts of multimedia poetical pleasures. So click about & feast. There's a five of mine in reverse chronological order, starting in October '10, leading back to June [the coda from Octet], with Linus Slug, Elizabeth Guthrie & I failing to find a cash point somewhere amidst.

for Laurie Penny

2011-02-03T10:45:00.003Z

to split entrope / states
evoked framework rapt it
would be lips “stuttered lusts::”
automate, no probable song
of origin

_______ / or grasp language
_______ even fractal w/in the mouth,
_______ to know this is
_______ immute-material, to
_______ resignify is sabotage.

02/02/11

post-CRS

2011-02-02T12:48:00.000Z

some new words are out onto the internets following CRS #10 last Friday - click here to download the pamphlet from the event. Much Thanks goes out to the CRS team.

from 'mute exterior intimate'

2011-01-14T20:50:00.001Z

capital bright AM graze silhouette overground the
______________ ________lineage worth chill slight broadcasted
to reside removed from the
purchase free / media ,
____________________& the wait / long’d vocal in vowel
always dryness
____________ sow the hawk in dream climate & sow
________________________________ your speak
________________________________ to liase
________________________________ dry ocean a
dust/act vagueness upon eyes–
inducing contrast monochrome

05/11/10

(lyrespace)

2011-01-08T22:02:00.002Z

light hung 340 days about inhabitation
________________________________its otherness actually just
exterior to
_________economic ~~/ social~~ an existive condition outlaw’d claret
ideal. within it you can witness your own victimisation live by a
____production you’re obligated to license; it will be republished
____across national w/ a
lone echo of this space confined to
blogroll the
_________ guardians true to normative, the
_____________________________________pitchforks are
metaphysically speech cleaved
_________________________this breathing’s exige, or health
unabated, oppositional to relations enforced they
_________________________________________ cyclic, erased
at the 19th floor or less,
soil chokes / aim’d beneath / to abolish
__________________________________ignorant /neo-paradigm
____dwp / set the lapse & note non-thaw
__________________________________ extremities / our
____/ fluid vitals / as graffiti / temperament

08/01/11

new poems at "Intercapillary Space"

2011-01-05T22:54:00.005Z

Three new poems of mine out into this world of ones & zeros - residing at "Intercapillary Space". They're from an ongoing piece titled mute exterior intimate. With thanks to Edmund.

photograph by Joana Linda

a precursor to direct action

2010-12-17T23:13:00.001Z

abet the break totality smeared lashless in beating panned snow it
___________________________________________________ perhaps
representing the fray of silent-MGM backdrops feasibly
________________________________________ outlined of palm-size
artefacts: rhetorical ‘our’ now entirely singular, a
_________________________________ bone china diagram / all else
sculpted hydraulics having displaced the wash / meander(s)
___________________________________________ the only concern
is utterly poison; implicated w/ Orwellian concepts of
_______________________________________temporal waste
_________________________________________________irradiate-
by-bow sections permitted for breath / grasps weary
___________________________________________does not equate
submission dry’d in larynx, gravely post-heat; the
_______________________________electorate are not an exercise
in strait this populous processing its very denigration
___________________________________ we will decompose in our
public space in case of eviction there is neither security by these
___________________________________________ isles’ currency.

17/12/10

employment notebook (15/10)

2010-12-15T13:13:00.002Z

# "The Big Society is what happens whenever people work together for the common good (sic). It is about achieving our collective goals (sic) in ways that are more diverse, more local and more personal."

# "The Office for National Statistics also reported that the number of 16 to 24-year-olds out of work increased by 28,000 to 943,000, one of the highest figures since records began in 1992, giving a jobless rate of 19.8%."

November 2010, 16:40

2010-11-24T18:59:00.003Z

forkcatch curve-wave vibrative to bone framework, cult
bent to cover. to this
_________________ embedding / sun-rich escapade
granada _ & to ‘concern’ social function
murk yur west end tractors
______________________ / we/rent
_______________________________ deprived/trad./postcode/ial
by relm affordability: horseshit/uranium/familial; re-street quotidian
__prodevelopment

as the freedom of information act failed to demand a
__supposed ‘transparency of normal speech’, it turns upon us to
__decolonize rhetoric & the wider sphere of language,
__syllable-by-syllable. we are to start with ‘radical’,‘fairness’,
__‘social’ & it’s derivatives, ‘rhetoric’, ‘free’ & words used in
__justifying a notion;
there is now animal fat in the extinguishers; we have begun to bribe
__refuse collections;
we have deduced the frequencies of sound that enact violence on
__private property, we
are counting heads,

18/11/10

octet/smallpressfair/blart

2010-11-08T19:45:00.001Z

a quick round-up of the current autumnal:

Octet sees the light of day in print this week - via Veer Books, it'll be available at this weekend's Small Publishers Fair (at Conway Hall, Red Lion Sq, London). It consists of eight poems, of varying length, written between October '09 and August '010. It's apparently perfectly bound & everything. I'll also be reading some bits of it at the book fair early on Saturday evening. Thanks go out to Stephen Mooney & the rest of the Veer cohort.
There are bits & pieces & unrefined versions of the poems floating on this blog so click here for a peek. Slithers appear elsewhere - including Richard Barratt's new zine DEPARTMENT.

Also, Stephen Emmerson's BLART zine is live online, featuring lots of fine poets & some photopoemcollages I put together whilst falling asleep a few weekends back. The words were written in the second half of October & the photos taken on a late summer evening.

sonnet

2010-10-26T00:30:00.004+01:00

I only know how to bat ._if
this coil tensile recovery strays–
pattern noir definition, an ∫skein
(in situ) drawn index,_clue accented
around southern sip / percept/décor;
having gauge trace evident
the prong dined by you occupies, ease
in the grape reducing me garrulous.

temporal slippage: October,
london here threadneedles aesthetic
tremble through to marrow, nauseate
the wastage /sq ft or shield invite / glare:
keep your polished hands in dismount–
to need to trust air / percentage scape

18-19/10/10

Readingsreadingsreadings

2010-10-24T16:12:00.000+01:00

October's finale is already afoot. Fortunately, OPENNED is back this coming Wednesday (27th) - 7.30pm at Corsica Studios, Elephant & Castle, London.... its free and features readings from Allen Fisher, Tim Atkins, Sarah Kelly, Jonny Liron, myself, and a whole load of great others reading in the final section. Details at http://www.openned.com/upcoming.

2010-10-16T00:09:00.002+01:00

current livid w/ denigration hunched common, reliant by

______________________________________colloid hang, scrapes w/
______________________________________tense point-inflection

_______thames is hum liquid of our
_______sickness splitt[ing] visual, a
_______constant to throw tyran , bat
_______punkture: environmental class
_______stated to long alleviate
_______reduction /hr
_______the two .active. hackney revol
_______meter of this terminus is foreign & public
_______w/ severed .informatives blitz out of weight/
_______mentality/scissored/press/re/distribute, it is
_______21:39 school buses hey landscaping convention
_______an ATM . passivity dries off escherichia;
___________________________ 'polis a red route we
_______unshielded on bicycles .condensed ascorbic

in solidarity, 04/10/10

'sault'

2010-08-30T18:11:00.002+01:00

hammond / organ epitome drooping about eyelids decorate
your fringes woollen shade & August
you have so little in nature of girls & brogues &
c21 mysteries lit well revolve w/ east dozens cranes,
transport blowing the very pens: I am owned nostalgia
when the new cheap graze is all my cone cells
& beyond is just suburbs
sweet to toxicity
& knitting.

from 'Tauheed Epilogue'

2010-08-20T20:37:00.003+01:00

light ambivalence dismantle , commence from

______the flute preceding creamwhite construction

______on new river drainspace. brickwork hung vibe

/wasplight.

______________ hours drawn here rework negation

______________ mellow, spacious permeate rung to

______________ ice & fox the reservoir

______they will gaze down / strike in certainty,

______removed.

vascular tires,

____________exhaustion is the brainstate caricature

____________ascended in adrenal height

____________taken early w/in diurnal,

_______________________________cheating the

____________turf ambient /sq ft. asphyxiated by

____________fear vs. wealth-brand–

_________________________to work / currencies

____________immaterial by their sketch, driving

____________colossal lampposts

________________________ashen fertile singeing her limbs

________________________delicate, base-level hues imply you

________________________home still, & precession

________________________uncertained: this is the evidence to how

________________________they perpetuate geographic

________________________________/ class fringe,

________________________& other heretics bricking skyline that I

________________________glared joyfully w/ 600 days bright –

________________________they stray centre, conscript

________________________to correspond for ______.

& Mylne,

______could your ancestry architect something

______/ past boredom? they've been crediting

______P.A. & the rest of us are aware

______________________/ crack cataclysms.

corporate digestive: architectural merit valued

less than collective memory ; demeanor tied

to tabloid north americas ;

______relocate to fringes.

__________________# acres earned in eyes

__________________almight / this postcode

__________________is little a crises

__________________/ geolocalised morality,

__________________what is assembled w/in

__________________these gates :

______√societyXL # minus density

__________________+_1/economy_+_<40.
______thirty minutes’ wage ascribed in waiting
______/ exhaustives knocking conversation.

________________________~

____________this: heads draining, 23.30s smudged for
____________common trees vs. privacy, & respiration
____________in dew’d dwelling offset by stresswires _ (final)

__________________sprocket skip for & the press of this
__________________onto your neck
______________________________ & fools tone. groves.

__________________category messenger brimming by
__________________converse / washed in the wednesday
__________________blood levels, /glaze blemish / the
__________________physical item you have forgotten
__________________is an act / scrape / branches. icing
__________________/ exploratory remaining, dictation
__________________from levels, variant. purse hung.

__________________adrenal delirium cast out to brush
__________________caress reliant on sky. considerations
__________________matrix we neither / chart.

2010-07-11T17:45:00.002+01:00

written for Trans-Script (4th July 2010)

lossless post-wire cut.
‘I.’ marks obsessive, our microclimatic language
drowsed to blocks of general populace,
physical duality: non-concept’d. this
live projection grizzles temperate
to sentences stray & thinning in structure.

to flex & track trajectories,
hyper-skin capricious in revolutions per memory,
in youth stretched internal [under eyes on occasion]

& echolocation: _our thrive.
joy swell logistic,
ricochet to years to mind
conversation, itches before

from '(Recumbant Territorial)'

2010-06-20T20:59:00.003+01:00

the spanner’s moment about which
intensity of all gracious shards; all is
safe here now we’s neglected our
cathode ray oscilloscopes, kicked oligarchs
for nicotine patches supplementing
burning demand & / gifts constructed
exclusively within morality. retrospective
petroleum re-buried: a sustainable network
crawln beneath earth & obsolete scientific.
cranes / assembly with day-care (a plantation
of coral grown amidst reservoirs when a flock
marauds solar-settings) tongues in hypertext -
bemuse social.

renewables is particle flux: swarming. tapped
exercise test electric _ & all hums are canons
historic to this condition.

20/6/10

THIS SATURDAY

2010-06-03T22:53:00.005+01:00

There's the openned book-table, a new monthly feature at Cafe 1001 on Brick Lane - fullest info found at http://www.openned.com/table-caf-1001/. Openned Readings between 12noon-3pm, books between 12-6pm.

Also, Jonny Liron's The Situation Room is unveiled to the wider e-public, with a loose poetic bipyramid of Katko, Luna, Raha, Slug, Stanley & Liron at least. Directions at http://sitroom.blogspot.com/, 8pm, free.

Openned Zine #2 / Klatch #2 - Flotation

2010-06-02T00:21:00.007+01:00

Everyones buzzing about this today - and rightly so.
http://www.openned.com/blog/2010/6/1/openned-zine-2.html

Also, there's a few words of mine amongst many other fine ones in Openned's recently e-published Klatch 2. _ Flotation is a poem in three movements ( 22° / Overcast, etc. / symphonette ) which I wrote roughly over last July, August & September. The first movement is here, the third in Klatch 2.

The Blue Bus tomorrow

2010-05-17T12:51:00.003+01:00

just incase you missed the little sidebar on this blog, I'm doing a reading tomorrow night at the Blue Bus... I've been working on a set of poems known as 'Octet', which I'm intending to read a chunk of, and will also be performing the guitar-looppedal-sonnets again (there's six now).

Also reading are Anna Ticehurst & Lucy Harvest Clarke.

The Lamb, 94 Lamb’s Conduit Street, London WC1.
7.30pm-ish. £5/£3

for A.

2010-05-07T18:53:00.002+01:00

from an untitled poem

2010-05-04T15:02:00.005+01:00

this island has little desire to paddle.
water temp. bulletin– waiting for seal
whilst ceasing to check the CO
blending your neuroskepticism;
clock-catheter paradox alarmed as
you swipe / bank balance, a one-bed
declared independent by town hall.
loudspeaker looping electoral & we:
reclaiming ‘bigot’ from bskyb.

photographs.

2010-04-22T14:41:00.004+01:00

an ongoing documentation of bits of poetryland and such, taken on 35mm film via my '70s Nikon, can be found here

more shorts

2010-04-21T13:01:00.000+01:00

frustration points tow to ambulance
& London: I have a statue proclaiming
bed & black curls
accenting oak grove. Palmers / not in use,
a selection of street-lit trees crash distribute

from an untitled poem

2010-04-12T14:54:00.005+01:00

this is a recent bit from something longer. I've been debating if it should have been an individual poem - I don't think it will be, but we can pretend so right here on this blog.

* * * * *

beseech this– serpent logic, persuasive bait-dangle
resurges an ’04 heroes echo: conviction by genre
projected past benign decade markers.
& if dualist-by-blood
must you keep hours w/ nightcarts? &fields
≠ namesakes. allowance as construct: scenario
patched inc. ergo burnt & fertile,

8/04/10

The Glad Fact

2010-04-12T14:27:00.005+01:00

first pass.

coach-etiquette one-oh-one : hold lamentable synth via infrastructure, this two thousand eight metonymy for power & let me introduct an instrumentation / mobiles held by girlfriends facially re-credited to metropolis repetition. begrudge this duty-free concourse, [ & here : ambivalent / isolate ]
______. the high-way presented as a off-white elevated piece of headwear
______cop / Calcutta (colon) . specific meteorological hung particles diffracting
______ minimal collations of borealis & come SATURDAY , [slight feedback incision]
scene one-point-three : bicycles, foundation cracks [not, on this occasion, disrupted by heavy dub subwoofing in Haringey-now-officially-the-worst-council-in-London-but-thank-fuck-for-Fetherstone-on-the-ladder] & as elevation completes this cycle, enter Fringillidae : leopard'd & w/ red-brown-follicular-crowning. the suggestive convertisments around sarcasm are unfounded & truth dictates two passions : one alcoholic. cognition under three medications predicts euphoria , with minor possibilities (unrequited under this course) of incestual insect fantasies, relocating this seed-eating-songbird to ex-leather jungle space neither of us sense or discretely recall. [parking-lot / climatic media of minute-strung-vacancy / feed the weeding / dereliction of adjacents either acute or obtuse in angular construct]. the initial scene on the 'national express' via Stansted is faux-chalk – in-elemental under week specifically fed with a 'B' on an A-string. one.three : vaguely extending colleaguel connectives, digging incomprehensible_ palindromes & entirely independent of season: sonic providers doubled as ear-plugs, even by this remote hill-stationary levelling [laying backs @ / floors of scala / David, cease these diversions already]. generational hang___ & father, & auto-rickshaw'd pubescent exp. _ fed air-lain-left-drumstick. & this temperature, knitting nineteen-ninety-two & remarks Johnston, [socks / feet / lyricists : when considering these poetics , implying assumptive barricades & tone controls]. waning dichromatism amid our carotenoids relay multiple contentions of possibility : a) risk malaria [re:Hewitt] _ b) recurrence of transport / spine [/ organ / conversation ]/ the feasible second-hand masquerading or transcendent of decades _ c) act xxii½, scene y : reset open elevators, new backdrop, flute-inquiry & mismanagement of staff, though Fringillidae probably represents respectable divisions of media , in proving 75% more accurate than a common carrier pigeon [redundants now retired to Hampstead Heath, disrupting & surrounding luncheons {sand/mi-granes}. expires 31st. Well-versed in feed-stock limitations.

31/12/09

from '(Focal Theatre)'

2010-02-27T20:02:00.007Z

short february poems / #2 /

2010-02-11T16:34:00.008Z

communicate : the wet left tension
icing hub-cap / east-facing.
looming her machines trigger / flesh
offices on mare w/out recorded service,
before freeze-signatures mitigate
& sink dayspan

duty, rust yur borough’s ;
frict trapezius

short february poems / #1 / two overheard fragments

2010-02-11T15:57:00.006Z

Spaniards fussing her privacy, feed
phobic resonance to temp walls
& _ readership generationals: no,
pram-handlers & independing local
mis-signage – these for scales

short january poems / #2 /

2010-01-20T20:33:00.002Z

for A.

feign haulage hatching recognition
drenches heat for a court: moss-broke
subsidiary claws the violin abroad –
your preface to strident absence.

of attitude, an exaggerate mirage
sublimes conscious units, resolute
verbs cornered on tongue.
fringe minutes _ brown-eyed in echo,
all out-ordered terms beneath your workplace.
tailors hand standard.
gestures her shrine:
all amid an interlude.

short january poems / #1 / monday

2010-01-18T13:09:00.006Z

assigned: paradic voyeur of the mon/dane
draws sunglass ~ acute, snow inflection.

‘hello?’ barometer / ringing
the pines brace, hairpin
strain to invoke seismic tape
she starves vocational chords by,
patting the labrador

Arthur Shilling Anthology.pdf

2009-12-18T13:20:00.006Z

The Arthur Shilling Anthology is now available as a free pdf here. It features the 6 chapbooks published by the press in '09: by Harry Godwin, Richard Barrett, Linus Slug, Michael Zand, Neil Addison & myself. Enjoy.

Diverse Deeds on Wednesday

2009-12-13T17:17:00.006Z

DIVERSE DEEDS : Wednesday 16th December
at Café Oto, 18-22 Ashwin Street, Dalston, E8 3DL.
Doors 7.30.

It's the Arthur Shilling Press takeover (or 'The Sporangiophores Quartet'): with Mendoza (aka linus slug), Michael Zand, myself & "the voice of Harry Godwin". Angela Gardner's getting in on it too. My guitar & loop pedal will be making a brief guest appearance, as I attempt musical sonneteering.

I'm told more freak lung's will be available, I'll be attempting to flog my last copy/ies of Tauheed & Sporangiophores, aside some privately printed A6 copies of some of the sonnets (provided I privately print them).

Facebook linkage: Event / Group

from '(after Osso)'

2009-12-09T15:13:00.013Z

(photo by Henry Roxas)

‘basic precess’ion trails night chime, skein
accompaniment paused on outcry. Stray
tweaker lamp hounded to fingerless /
_______prebranded organelles
_______now w/ two strike,
cocktailing mute courthouse “place trill
oboe with basic climb, 5 spoke”
___________________________our modern

post-residence to viciously thrown dusk lions
disrupting zodiac minus great revivals,
mistrusting both indicators.
arrangement perfects an epicentric
amusel, toxic subway breathing continental
rehash on the corner, interpretive voice
androgyne __the string itching
_______like dry peanut vendors.
_______four dashings
cracking glass harmony by syncopated
lamplight: _remove the galleries on 57th
& prep counting __they can’t leave you
waltzing & recollecting in mere monochrome,

yapping fingers beyond barriers, expansive
w/out benign expressways, cut it
_______the cellist grasps entities
_______for she recites the warm of 1700
_______taxicabs, swarming pavement carpets
_______& the deduction of geese
_______struck by holographic downpours.
hold the D, hold the altitude _, walking gesture
under-prosed amongst planetary phenomena
recalling St. John. & Kimberly, _tin can
connective– _would you relish this melody
for your young eyes? hang mirror _ motif
far from Hudson duck boat climatic
to district hall _imitating reprised
aural transcending glare _onto cluck
_______“have you thought of the
_______reproducted note detailing
_______a century’s thrive in 4/4?”

fleet of warmth feeds aesthetic causeways
& lanes transferred _ to present inexperience
/ windowarches / peoples friend. _ oxygen.
____passage.___four still in treble construction
skimming incisor.___separation.
recollect glitch-hard.

here is your vessel,___darling,___right by
the year of the dog, revolving quietly.

truncate / pact

2009-11-12T17:43:00.004Z

permutate hieroglyph, cobwebbed edging doorlock
in disproved boxvoice, emit privilege heel _ resonant
down-hand & guard from external horse-calm exhaled,
as a gambler projecting rouge & curled décor
by poker, here is exit.

______________________ sip this incandescence
she delivers at eyelevel, run-in w/ dust track
shedding a passage represented as a princelet
dwelling._____ we ride, stoked maternal troves
__inducted behind humour - counterpressing
__portraiture of gaseous house-craft.

______________________ warming essence, prior
visual as fruition misscripts your purring,
agreeable to plant new lexicons,
__submerging stigma
______________________ w/ gleamed undergrowth.
have yourself
__transcend mundaneity / chien noir shut out /
lapping like our phantasmic estuarial
sight, wetlands w/ freeze canopies, this necessary
reduction shoots & skyscrapes _ coming into ride.

______________________ curtain call removal:
stripped shoulders resemble bibulous birdcalls,
decoaming. This gestures preferment
consumes nirvanal nightcapped
_____________ _______ lips elliptic
_______________ __________ riven eludal.

from 'All The Trees Of The Field Will Clap Their Hands'

2009-11-12T17:33:00.005Z

primordial bosons in 1992. did bowerbirds
construct & fetter definition :: elude no further,
caloric imbued to classed ethic, hands alike
Au anions inverting Burmese birthstones,
future coral / pressed / mandible / soaked
demeanour, the cascading pulpit of flesh
dressed half preceding drunk centurial.

through gate, a penetration vindicates
w/ the turning tidal bottletop, my
degenerate banjo directs stiff lodge-garden
& we guillotine thumbnails. drawn
above waist, intersection severs brutal
support networking blonde
by dashing Sapphic cafés w/ wit.

distraction ceases as your fishing wire
shorts your youthful foraging (there’s
an octet waft spying on tinnitus) &
despite unduct lottery grass we are actually
follied adults – perched within
an effervescent arboretum –

though we are both screaming 6 & 8 words,
commencing with a 3rd letter before we tire
& acknowledge stimulant grandeur
by grave humane waterways, parting
/ necking transcription _frightened absurdist
hues enclose foolhard charade driving

my essence to shriek like a synthesizer
unbuttoning femme masculinity, offshot but
verbally tailored to hardworn leather toxic,
lips like syringe, revolting fleck sand
as becquerel neutrotivity
strips the lascivious larch :

we collate its serpent brow-ride
& our masculine twining here-on identifies.

XING THE NINE

2009-11-08T21:25:00.011Z

ninerrors :: a poetry pamphlet series mastermind by linus slug

from '(dominant triangular)'

2009-10-12T13:29:00.015+01:00

eluvial fissure feeding hung predicate
as quarter-point siblings
represent A-roads.
________________this flatland,
see-saw installation at 10.21 _adjunct
to departure board: _frayed breadcrumb
shimmers & informs vacant step prognostic
of his taming / requirement
driven by interstitials
wiring earwax to taste buds. her blue
countryside condemned & woven
______________like 2π multiplicities

dust foam / embraces her shot
revolving mute: _accompanist
calibrates five-spoke
though her perplexity surrounds motive lips.

hands décor _strived to Leicester Sq.
emanate celery for
precious disapproved constellations,
a campfire forum of soaked Americana
freshly e-bowed. _elsewhere, she is spiced
& infected
________ w/ co-generation hebdomadal
line closure hooking weeks to knead her
dry coulombic inflex;

apologies:: we inhabit
& preserve both microcosms ::
the second spun prior.

from 01/09/09

2009-09-11T16:51:00.012+01:00

photo by m'glug

south-side specific socialization delegating
casual ambassadors, ambient tripod
recollects hour flown atop scaffold,
drill _ cold caught on particle uplift
bookmarking rectangles worn on waist
like slight travellers, sunglass decking
& silk godfathers_ spun from Smyrna
accenting tables.
________________. you have breeze

for T.

2009-09-02T00:24:00.004+01:00

lips of southern shoal spelt by letter
recur biographically
throughout your dewy household,
though disordered encaustic text
gapes our possible origin -
nyholm / eleven / musical customary
owed to shambolic january lateness.
debunk Kenyan lab mystique
w/ progressive lunar cycles _ dwell
_ laid face-up festivities _ higher-by-vol.
romance upholds your twenty-first reverie
against court-bench proclamations,
& if his admired resilient professional sways
check roses;_ you are dry.

for Sally Seton

2009-08-15T14:37:00.002+01:00

exhalation, _velvet boisture
about temporary coverings / incident expansive
increments upon borrowed stature.
fresh-blooded summers wrapt to brown paper
pressed w/ dahlias & hollyhocks
reprise affections _ echoed ecstasy, descent
frocked white for sprung protection
twilit relics _ ruby _ drawn of dark French abandon
the only name I’d take to the top of the house.
tint _ bravado
Othello catching lock
& casting aside stone urn

your gasps like cotton animals
fingers as inevitable feathers

lines crossed & Flotation, 22° (iv)

2009-08-09T23:17:00.007+01:00

Firstly, a quick thank you to those who came to & said nice things about thursday, and to all those who couldn't make it but sent fine toasty regards.

State of Tauheed: If anyone would still like a copy of Notes on Tauheed, I would suggest getting onto the Arthur Shilling site with some haste as apparently there are only four left.

* * * * *

Flotation, 22°
iv)
Small cherries by delirious zen,__to have ye
tips vague intersection,
___destination visible & clampt trails
___winded by court & castleview.

Gratitude for energetics in knowledge’d collection,
corners soft to new river path, casting you
as a secure ethereal reservoir___where desires
___to sit out by open water
___w/out consumptions necessity
_____________________illustrating nettle backbone,
are reprimanded by some moat-canal.
capital boat purpose housing white eastern weeds
____________call stray to reasonable tertiary exchange

aside,___this displayed verb mimics
a mock-up fiction _of both your voice
___& academic___unchecked___singular___reference
as deconstruction entails disabled seasonal embrace.

news

2009-07-25T13:33:00.007+01:00

in other news, the next Xing The Line shall consist of Alan Hay, myself, and Johan DeWit. Thursday 6th August, at The Leather Exchange (nr London Bridge).

Also, Francis Kruk has put together "sporangiophores" - "a lovely little purple bookie that made some rounds among participants of cork", consisting of a quandrangle of work from Harry Godwin, Michael Zand, linus slug and I. I'm sure copies will be popping up somewhere shortly.

Flotation, 22° (iii)

2009-07-25T13:10:00.008+01:00

iii, w/slight meandering)
See, this commandeered chrysalis
here among the rafters._cultivation
of our opportunist security tie bizarre
to vague balances __. alleviate soft collapse
& fasten woodland_lubricate optic,_tannoy
echo the second tonics_considerate slip

two holes ___ shiver forensics for forearm
elocution in obscure tepid languages
_& you have your own resolute windows
_fraying as decayed scotch prose
_by the half measure.
__________________gin carve heads
in escalation, we do render stray manifestations;

the piano in the bathtub.
wichita sutra vortex.
braid / voices / BMB.
magic doors.
herring bone.
saltwater tokyo_ orchard auburn childhood
_lovelier (repeat)__ house_heart_lungs.
CN_condos._laura’s interlude.
silence (c7)_mountain._a hudson cycle.

Flotation, 22° (ii)

2009-07-22T15:51:00.004+01:00

ii)
Leverage consists of remnant observation;
bowie haircuts___rendered & run like
reciprocal rotation.___attach____provide
___dismissal, fork previously pried
academy selection,______echoed ‘cross
________for canvas substance;___fear structured
as your essence appears, splitting succession
& the demographic of taste –
________couldn’t you predict weather
________& telephone some fair keeper?

________fairground or foreground,
forgive escalating vocations as you,
______________________________addressee,
warm pupils & delay lustral speech,
_______________________breath brushing elbows

void diary______converse_______lent on tile
________cup warmth______drop lash fixation
pressing___for individual_______liquid attendance
_______________________.washed beating nectar

Flotation, 22° (i)

2009-07-15T22:44:00.017+01:00

i)
The rough presentation of your whereabouts
constitutes my only cerebral rope,_expelled
in early day architecting,_failed communicative
step-up mystery, eastern fixation
& pin-numbered sub-base.
_______________________I have
this diffuse checking system that
attracts permutated desire, _leans & holds
appendages for bleak spells.
breaks of careerist throughfare
equivalent to decisive vocabulary,
_______________________.._____listen:
clued & awkwardly bound
proves as entrance, persuasive gears
____________feathered & out of line
while you remain attended sunflower,
_draft frays my epicentre & stamen
_with overgrowth,
________________state translation
bemuse tokenised walkway
forgetting it is mid-July.

Two 9ers, for Hilson & Bonney respectively

2009-07-06T10:54:00.003+01:00

A little under the weather - hopefully its not swine flu. I wrote these last night when the paracetamol kicked in & I couldn't sleep. Anyway,

* * * * *

Dear Jeff, hello, it is this same worn joke

in cultivating dates, for instance May 19th 1864,

w/ purpose as a land girl, stamping departments

at Somerset House. Though if my heart t’were an assart,

t’would only pine for SE6, as James’ consult

had left me to Catford –

right atrium akin to Foster Memorial Park

vena cava atoned to Whitefoot Lane

this black heath hithers green by Lewisham & Ladywell.

* * * * *

Dear Sean, sorry, I have no date for you

for my energetic expenditure is alone around Hackney

walking the Kings’ land, Morning Herald in hand

& though I have slain crossbowmen in Sydney

(w/ four a-levels clasped onto me belt)

my jobsearch is fucking cosmology,

as I was out faking / to taxpayers expense

his white-lily hands ruptured balls pond road,

my character taken by the DWP.

Notes on Tauheed: Appendix (ii) [Musical]

2009-07-04T10:00:00.000+01:00

Notes on Tauheed now available | appendix

2009-07-03T14:50:00.016+01:00

"Notes on Tauheed" is now available, for the small sum of £2, from The Arthur Shilling Press - click here.

* * * * *
Notes on Tauheed: Appendix (i)

#1 & #2
Autumn. lock pick understanding.
New River Company. designed to please.
W.C., son of R.
eleven years later / on Christmas day
homage of Myddleton Avenue
opposites built circa. 1990; castleviewed
_____,at an angle of 120o to north-west corner
sunset always hits (road alignment). neck inclined.
Trees at night / in Ear Park
new desk(s) / Dane (of questionable significance)
TCR cocktail bar: 3 strikes in your new state.
last en booth, last time on the crescent.
omissions: __Sepp passed out on sofa, w/insistence
_____,_____,___ to play “bridge over troubled water”
_____,_____,calming effect in medically dramatic

#3 & #4
they are not just firepersons.
protest? 1984? 3am as he stepped off bus?
Tescing ~ no definition, Google: “did you mean testing?” [What ?]

#? & #5
flatmates/siblings. direct recorded reference. skygazing.
take train to coast. re-observed south-side.
fragmented construction: 6.30pm / 12noon / 4pm?ish
she plays the record. herself & corridor, asks about Shrigley
timeframe of ‘#5’ suggests ‘#?’ is placed correctly
_____(sorry Harry – epilogue/coda is a nice thought)

#6
I. : “like, whenever I listen to … I think of [physical / mechanical / biochemical]”

#7, #8 & #9
“Solo Piano” & “Heavy Ghost” interspersed.
London Fog ~ a hot beverage consisting of steamed milk,
_____,____, vanilla syrup & Earl Grey
“vote BNP” graphitti’d on bus stop / election day
_____,____, first reappearance since autumn
Piccadilly line tales : ____post-what?
____like (androgynous) (female) verging on tears (last night)
____written between station <-> front door (late)

#10
check age.
haven't ridden the 29 in months.
haven't played the LP in months.
someone finally let the place – The Laurel Tree
(was Becky’s dream, Sara’s, a second year dream)
balloons ____ Youtube ___, legacy
never left on Harrington Square.
greetings from Mornington Crescent.
the next station is _________ Mornington Crescent
____(the last syllables: rise-risen-plateau rise-drop)
line 13 : whilst snaking Euston Road, turning right onto Gower Street.
whilst exiting Warren Street / entering Centennial State [blizzard]
whilst exiting Euston underground, 3rd escalator, bright AM, [non-seasonal]
windswept across square, distribution nr pedestrian crossing [to Gordon Street]

further untitled fragment

2009-07-01T21:32:00.001+01:00

Stumbling onto househeld comforts posted
by southern videographers
sculpt tapping to minor pleasant chaos,
intrigue siding application detailed within
glancing bliss fresh from potent youth. Nerve
tides delicate travel, offering instrumental sketches,
build tensile comfort
zonal & in parallel I approximately locked,
calming & televisual.

Their blurted fables, right? these
well-spaced interludes balance fascination
with disruptive discomfort, inducing cascades
in ethereal frames, appearing capital
& space, convect blank skies or
observe spiral fluorescence, I am scattered
to near harmonic sequences on sofas, word
in hand, questioning if thirty progressions
will quench, if a quart will perch upon you,
if either will stray from focused limbs
or through canting in float this narrative remains.

untitled fragment

2009-06-28T00:39:00.005+01:00

this is very much from a work-in-progress longer poem, the first chunks of which Francis Kruk & yt communication are compiling with work from Harry Godwin, Michael Zand & Linus Slug.

* * * * *

Reach tendant kaleidoscope. Inert
pivot downtime for striplit escalation,
these greetings occur & adopt
global – timekept for social structure.
You, sweeping discomfort with
glances / expressive / (continuum
breaks to tone intensity)
clasp visual,
modernist lapse of shared passage
dances to tranquil spaces,
to gatherings, concluded
with customs of vague delight by disband.

Active insight, like chromographic runnings –
diethyl, handmade plates –
a soulsoaked synapse on behalf
of cyclic momenta, receptic heartstrung cadence
reason incident override by platform delving,
near seated sight dousing
& placid visual as I drop. A week
to crack on canvas – splint
nurse your tumble-dried sonata
if official declarations allowed
organelles, shatterproof, we’d walk, unabated
surveying intent through lone faculties

Barricades (#4)

2009-06-16T12:43:00.006+01:00

Back in April, I was writing a sequence of poems called Barricades. I think I only wrote five, three of which aren't very good. I don't really know what will become of the sequence - the idea behind it is something I was throwing around heavily at the start of the year, though it has had some rest since. Below is #4 from the sequence...

* * * * *
INCESSANT CULL SING.
Sing until throat
dry-hanging silence
stupidstupid misguise.
Tarnish day not of Charles
wrote through Sundays
archosauromorpha fatalities, automotive pilots
& homosapien like you.

Digestive deterrence blamed (culture) this
operator suggests curtailing, you clear
up without returning, you space
your shared personal publicity,
not or not fastened
optional. Faculties presenting –
the laughing sanity ableist
& laughing? Like carefree
having re-pieced my vase? Acronym.
Look nothing lakes
timekeeping, fucked at sunset
a boy cruises components
hands together
pesticide expiry
return ticket offered.

Tauheed

2009-06-16T12:02:00.004+01:00

My debut chapbook, "Notes on Tauheed", is due from Harry Godwin's Arthur Shilling Press in the very near future.
It's a sequence of poems roughly on psychogeography, lightness & Grizzly Bear's second LP. It's entirely not on oneness with a higher power.

The view from Tauheed, around three hours ago

Calendar Mishap Semaphore

2009-06-05T16:29:00.002+01:00

The guilt carriage situ.
Tapping ok without experience,
a plan, but... need.
I can show you but...
a BSc in ancient history
& effort
& age at which disappointments
duration is short-lived by lunch,
by fourteen a contingency
debating out development,
the movement school tour still
suggest another sort-of volunteer
outside "campus" lock community,
Queen's Park doesn't make it today
two faces without knowledge’s grey growth.

An icebreaker, stand, no, um, ums, or
end in debate. Emergence. Telephone
off oh. Pan vicinity barrister all on paper
eleven until forty-five at twelve,
any hand spanning utility until we move roads.

Yesterday afternoon diminishing precedence
a setting a half a face of a student
a harrowing modern metropolitan hunt
on the 29, not
the boy who would be,
crises culture developing the knife,
apparently un-cancelled if she knows
if she calls back
Clau-myself & cracking persuasive sale.

He was in distance,
he was already toured
wait on first intro-game applause,
a smoking action sketched, a musical
numbered quitting session peripherals,
bare-footed residence confusion Evan -
the conversing lack of idea, at Britannia Junction
d. d. nomination hopefully timescales,
I would be I know what immediacy workshop
dual point nine seconds, now
mind occupied from overhearing the commensurate
of something to sign off ok.

A feeling a carpet sex
softness stills utterly sublime,
blowing out of dog water
battleship view restricted applause.

£5.73 p/h

2009-05-22T17:21:00.004+01:00

It feels slight weird posting something about work at 5.30pm on a Friday before a bank holiday weekend.

* * * * *

2nd coffee data entry appoint appointment handover check inbox enter.
"could I do the training thingy please?
ok... *dept*... compulsory...wilderness Wednesday / Thursday / twelve with Rachel & Jazz & THURS-Day-twelve-TWO OPTIONAL?!-not-coming-not
CHOOSE ALTERNATIVE AS YOU DO NOT
YOU DO NOT SHOW YOU ARE NOT PRODUCRS
hi telephone compulsory some are I spoke recently
to you (Barbara wants a room) "I’ve been told
no but I’m committed
would you rather have lunch from 1 ‘til 2 right?
my my always hang on seconds
for all for thinking so
in the next exactly your just R dot
I know, *laughs*, [note to self: sign wage sheet]
urrr I work here look I’m at working
sipping free are you working today
as long as, in a low voice, there's not more than
hello? in this one there are two gaps *hangs up*
carry conversation attentive holding wash
hold the line afternoon the board is behind
but in the front in the
J dibit I don't know hat I'm doing anymore yes.

Borrow, it matches your dress / smiles

The deflation in your monochrome supremebeing jacket
the ringing paused.
They won't, passive tone, they haven't been
for a year, they won't but they,
unfortunately the three authorisations
you could ask her as she suggested
she asked me to do this
you are morning tided over shadowed
timid like that weird one I met on the
3rd day / or day one of however hundred
your black resemblance, hair
in allocations in grant
grant if its coming
if they don't sign off
that’s just how it works
afraid (apologetic not fear)
you’re still passive in wait
& it works like sorry

I have the dirt on a former in-geist, though I am sealed
in thousands in non tens
though you shout cross meet

Assessment Pattern [final fragment]

2009-05-15T11:58:00.003+01:00

Having delved into former relief patterns
I’ve come to understand the sinister bagging,
flail, waste cover daughtered in birthday
pass the guilds venom, third gravy independence
enroute telephone fear as gushing flaw grips toes,
you should probably drink more tea.
Quick turn check through curls, you
greater than half listening glad
as data organisation plane carpet edge.
Hard-hard electrostatic predominance
Ackerian intake, stabilised induction in raising,
beheld / lightness.

* * * * *

The final situation implicit meteorological,
extensive embroiding mindscape, nature
slice functionality | withdrawing, entropic law
application out of spheres, the exhaustive
operator soaking recanted circadian intersection.
A ringing application prior
truth: you are all but sympathetic. My liable absence
exponent with excursion, ladders in mixing.

Like said burial, educational resignation is of years
devote past, claw, museumproof on first flour
I have / technology / to avoid
stepping somewhere in London -
Philip is backing me developing
desperate optimism, you are fleeting
filthy sixties architecture you must be,
trowel something in acknowledgement
use for humour & expression
& invention, I cannot take
the bullshits alignment
out, dressed, as 2005
I wandered lightness freely
having since been the driver of
worthless casting onto modes washed.
Finale: strike you except in association with
click, excavation, brush dust lashes
slow opening without Gordon Street business.

Assessment Pattern [fourth fragment]

2009-05-14T21:50:00.004+01:00

The knowledge in your new era,
in ideals of mental indulgence, later
lighting in discontent, apparitions and possible fates
a disturbance unfulfils my scarlet perception.

Bragg diffracting at zone boundary, conduction
on odd. Severe delays. Divining modernity,
privilege & generations melt in cut price scorching;
he is in the vicinity – sharp shaven –
an elegantly grown pro. I am not thinking of him
am I not. Characteristic scattering
though lowered post-theory aperture.

Slow cracking audible, elective wrists knotted
for undecided witness. If she is held,
if she had looped her reminding rules,
a noted post-it room as an adult / sunglasses / scaffold for durational vectors / counter inquisition / even glad hanging still /
on diminished returns let the complex hold her later identity over resonance mixed-state
exhale,
“these situations are not to be humoured” / slipping back / I have shed / pragmatic & radiate fear complex.

My devices are no longer capable of sweet distant chiming,
as day-drenching anonymous after-hours cast persons
to traffic trade. Salt nectar scale wired in later balancing
ever, ever the decision preventative brow hold.

* * * * *

The Glaswegian ripping off a Monty Python sketch
involving realism, 16-tonne guilt
and an exponentially decreasing time-scale,
theoretical probability relationships have particular combinations
so far located, freewheeling black estate take biker.

* * * * *

Assessment Pattern [third fragment]

2009-05-10T21:13:00.004+01:00

Exhaustive whatever 3: self-subjected plague. The
agency age questionable, although
what the fuck were you thinking? Would guidance
have marked visible artefacts of able contribution?

The lantern cascade crossing back
to a delicate flat-brush, your magnificent easel
like coastal clutching delirious with unpronounced
allure / desire / light cranial kisses.
The wear of years knotting cognitives,
inappealing selection rules or you, flourishing
share my hand with summertime’s aqueous emerging.

* * * * *

(The make-shift academic shack, on
cleaving crystals, generate, (do) we (really)
want to know the election distribution) look,
Dear C., you have exiled / relation / barraged
like I was Edwardian, mare slave-makers,
this decent long withstood
one year due,
direction’d only out sand through sunken,
in case your memo junkyard vegetable nicorettte
branded you enthalpically challenged,
I’m fucking someone whose possibly worth
dSdH/dt^2. Aware of the final carnage
accent to monarchic lability, confidence
is of not you, not the mole-hilled
orchard (disguised as a vinery).

The genetic epicentre – a household
peace’d resilience at lowered aggregation.

’08, a flash on June 6th
Gordon Square
telephone handed to the 3.45 from Kings Cross.
Knowing enormity un-grasped. Wicked pause.
Attack sorbed organics. Androgyny through inkeeping,
gothic macroporous architecting misfortune
on canvas, intellectual / scientific doubt.

* * * * *

Assessment Pattern [second fragment]

2009-05-09T01:19:00.002+01:00

Exhaustive predictions 1.
Diminishing decisions leafed fleeting Holborn
gardenias. Business. Popularity lessening lunch-hour
beauty in redbrick courting corporate reflection,
bob-cut disappearance. The apparent humour
of his Ti-Chi spectacle. His hat his eminence
parallel, the belief of absence, merchant river
hot yard beverages, the potential of us / count
hours, out to shore edge,
caress summer colour-time promenade
frozen to flashbulbs.

* * * * *

Trailings: a breed’s essence
untoxicated, the tarnished detachment taking
a physical form, rising heated exhaustive
second coffee tapping anxiety onto comfort,
strip exposition feared herds,
sun on castle index,
lobe medicated. The frayed appeal
of past four dithering, Earthly concern condemned
from handsome foreground, “CROSS THE ROAD”
you may aswell pull a Malcolm Tucker. If Malcolm was
I’d bribe him to departmentalise the isochronic
prof. probably not note-worthy.

* * * * *

(A short pause of half-speed spinning
heads decoratively in 7/4 –
you collapse atop & laugh out calendar.
Attached soul-saver clasping, the cusp,
the inversion, elation coursing
your oceanic gaze).

A wash out. Slowly conjuring evening, the
turning third position noted
temperate, condemned creative
dashing reduction, tear’d morning cease
I cannot bare you, I cannot allow,
the idealised fiction manoeuvres forgo
acquaint further
to ensure negative seasonal potency -
provided our deduction accuracy -
doesn’t disable. A pragmatic pursuit.
Hedge plastic intermission, disarm fear
spectacle bringing concern –
Are you curves safer on diversion? increasing
ortho-traffic density.

* * * * *

Assessment Pattern [first fragment]

2009-05-07T00:46:00.008+01:00

The clock synchronised to white ink.
Orion’s unlatched ensemble deprecated -
Liberation imminent. Sunshine thrown cursive,
hand-held, neck inclined witness vehicle
dissipate, a silk-like scorching.
Liquid license seep, a soothing caress
of diminished calcinations. Evol. The
finest detail internalised, a lethargic watches –
puzzling (motorbike
growl out pillow) the fortune, required
priva odd Eisenhower. 34th.
The great historical condensed
compensation (gore / swamp additional).

Having planned an outhouse
& evening drift earl grey provision,
she frequents – ( briefly across
unresided tabled ) pair
synthesis / personal
progression I must pry
corrugate I must!

* * * * *

Sprung caffeine morning circling castle
birds, a caressing conscience –
muted / longing / fortune light direction
to rotating species. Luck seated
petty city fortune, remain evening decay
depopulating pseudo?cognitive states,
if we say illumination const.
we can radiate the same
conditions car alarm eight-twenty exhaustive
crunch reserve light out of vision,
express illicit magnitudes –
blood blue dependence simmer encouragement
withstanding lyrical. I was here
a year ago, fucked, inexplicably siren’d.

In exhaustion, I ponder
your personally seasoned hue, sweet
fluorescing sense daydream caress chromatics,
locked in a reciprocal space representation
someone long before belonging deduce,
the interlude unjust.

Casual omission of uses, the mean free path,
the requiring technique doesn’t cater surface
sensitive, curves minimal semblance
May-day to-do list:
Commend sibling resilience ( surprise | hurt
| years ). Light suggestion of closure.

* * * * *

His horrific distribution gets to me.
One thousand three hundred days (& nearly,
figures out) a fitting to his ruin two
______ who the fuck? Seriously
scientific Glaswegian caricature
the hilarity of his letters
______ “we hope” we? Why?
So you can take like Taxney?
Departmentalised
unchronic perhaps sore.
Warfare prolongs poker antagonism.

* * * * *

health - homeland - security

2009-05-02T13:11:00.008+01:00

(For Tom – we are concerned)

Stock up on homeland security, we
shall give during this travelling alert,
traverse and avoid selection,
we don’t know of alerts or process
or alerts. I forgot your presidence
my alarm was set 2003
Canadian counterpart permitted procedure,
we conduct daily state governance
as we activate (aid?
Nobody will ask as our oldest friend
remains).

A sector, prepared (THEY ARE RICHER)
workforce guidance how to stress
continuance of common humanity
and washing
stay covered
stay home
leave only 7th as we coordinate clearly,
we generation of sceptics
www.state.travel.gov.state. Look
three ways I have no time
too collect questions how does that work?!

Introduction

2009-04-11T22:03:00.007+01:00

"is that like limply waving a flag in the hope that someone gets the message?" ~ Linus Slug.

Hello. My name is Nat. I guess I'm new. This will eventually turn into a poetry blog, probably sometime after the middle of May. Until then I can be found on T H E D A I L Y F I L T H.

Bye for now x